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Roethke’s Poetry
Roethke’s first collection of poems, Open House, was published in 1941 to wide acclaim. Roethke was a master stylist of both free verse and fixed forms. Many of his poems are intensely lyrical and draw from the natural world in all its mystery and fierce beauty. In 1954, Roethke received the Pulitzer Prize for The Waking. He also received two National Book Awards, and the prestigious Bollingen Prize from Yale in 1959.
Roethke is widely regarded as the one of the greatest poetry teachers the country has produced. Many of his students who went on to become award-winning poets in their own right credit Roethke's influence.
A Sampling of Roethke’s Poetry
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In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood—
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What’s madness but nobility of soul
At odds with circumstance? The day’s on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks—is it a cave,
Or winding path? The edge is what I have.
A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight come again!
A man goes far to find out what he is—
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.
Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind. -
The winds of hatred blow
Cold, cold across the flesh
And chill the anxious heart;
Intricate phobias grow
From each malignant wish
To spoil collective life.
Now each man stands apart.
We watch opinion drift,
Think of our separate skins.
On well-upholstered bums
The generals cough and shift
Playing with painted pins.
The arbitrators wait;
The newsmen suck their thumbs.
The mind is quick to turn
Away from simple faith
To the cant and fury of
Fools who will never learn;
Reason embraces death,
While out of frightened eyes
Still stares the wish to love. -
What's greater, Pebble or Pond?
What can be known? The Unknown.
My true self runs toward a Hill
More! O More! visible.
Now I adore my life
With the Bird, the abiding Leaf,
With the Fish, the questing Snail,
And the Eye altering All;
And I dance with William Blake
For love, for Love’s sake;
And everything comes to One,
As we dance on, dance on, dance on. -
Nothing would sleep in that cellar, dank as a ditch,
Bulbs broke out of boxes hunting for chinks in the dark,
Shoots dangled and drooped,
Lolling obscenely from mildewed crates,
Hung down long yellow evil necks, like tropical snakes.
And what a congress of stinks!
Roots ripe as old bait,
Pulpy stems, rank, silo-rich,
Leaf-mold, manure, lime, piled against slippery planks.
Nothing would give up life:
Even the dirt kept breathing a small breath. -
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.
Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.
Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.
Great Nature has another thing to do
To you and me; so take the lively air,
And, lovely, learn by going where to go.
This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.